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"Art australien (aborigène)"
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Water in a dry land : place-learning through art and story
Water in a Dry Land is a story of research about water as a source of personal and cultural meaning. The site of this exploration is the iconic river system which forms the networks of natural and human landscapes of the Murray-Darling Basin, Australia. In the current geological era of human induced climate change, the desperate plight of the system of waterways has become an international phenomenon, a symbol of the unsustainable ways we relate to water globally. The Murray-Darling Basin extends west of the Great Dividing Range that separates the densely populated east coast of Australia from the sparsely populated inland. Aboriginal peoples continue to inhabit the waterways of the great artesian basin and pass on their cultural stories and practices of water, albeit in changing forms. A key question informing the book is: What can we learn about water from the oldest continuing culture inhabiting the world's driest continent? In the process of responding to this question a team of Indigenous and non-Indigenous researchers formed to work together in a contact zone of cultural difference within an emergent arts-based ethnography. Photo essays of the artworks and their landscapes offer a visual accompaniment to the text on the Routledge Innovative Ethnography This book is perfect for courses in environmental sociology, environmental anthropology, and qualitative methods.
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Settler Colonial Governance in Nineteenth-Century Victoria
This collection represents a serious re-examination of existing work on the Aboriginal history of nineteenth-century Victoria, deploying the insights of postcolonial thought to wrench open the inner workings of territorial expropriation and its historically tenacious variability. Colonial historians have frequently asserted that the management and control of Aboriginal people in colonial Victoria was historically exceptional; by the end of the century, colonies across mainland Australia looked to Victoria as a ‘model’ for how to manage the problem of Aboriginal survival. This collection carefully traces the emergence and enactment of this ‘model’ in the years after colonial separation, the idiosyncrasies of its application and the impact it had on Aboriginal lives.
eBook
Indigenous Self-Determination in Australia
Histories of the colonisation of Australia have recognised distinct periods or eras in the colonial relationship: 'protection' and 'assimilation'. It is widely understood that, in 1973, the Whitlam Government initiated a new policy era: 'self-determination'. Yet, the defining features of this era, as well as how, why and when it ended, are far from clear. In this collection we ask: how shall we write the history of self-determination? How should we bring together, in the one narrative, innovations in public policy and Aboriginal and Torres Strait Islander initiatives? How (dis)continuous has 'self- determination' been with 'assimilation' or with what came after? Among the contributions to this book there are different views about whether Australia is still practising 'self-determination' and even whether it ever did or could. This book covers domains of government policy and Indigenous agency including local government, education, land rights, the outstation movement, international law, foreign policy, capital programs, health, public administration, mission policies and the policing of identity. Each of the contributors is a specialist in his/her topic. Few of the contributors would call themselves 'historians', but each has met the challenge to consider Australia's recent past as an era animated by ideas and practices of Indigenous self-determination.
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Australian Indigenous Hip Hop
This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as ‘glocal’ producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, ‘Indigenous’ and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of ‘Indigenous identity and politics’. Looking at the Indigenous rappers’ local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders’ culture in ways that are contextual to the society they live in.
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In Defence of Country : Life Stories of Aboriginal and Torres Strait Islander Servicemen and Women
Aboriginal and Torres Strait Islander people have been protecting country since time immemorial. One way they have continued these traditions in recent times is through service in the Australian military, both overseas and within Australia. In Defence of Country presents a selection of life stories of Aboriginal and Torres Strait Islander ex-servicemen and women who served in the Australian Army, Navy and Air Force after World War Two. In their own words, participants discuss a range of issues including why they joined up; racial discrimination; the Stolen Generations; leadership; discipline; family; war and peace; education and skills development; community advocacy; and their hopes for the future of Indigenous Australia. Individually and collectively, the life stories in this book highlight the many contributions that Aboriginal and Torres Strait Islander servicemen and women have made, and continue to make, in defence of country.
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The Use of Signing Space in a Shared Sign Language of Australia
In this book, an Australian Aboriginal sign language used by Indigenous people in the North East Arnhem Land (Northern Territory) is described on the level of spatial grammar. Topics discussed range from properties of individual signs to structure of interrogative and negative sentences. The main interest is the manifestation of signing space - the articulatory space surrounding the signers - for grammatical purposes in Yolngu Sign Language.
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Black Gold : Aboriginal People on the Goldfields of Victoria, 1850-1870
Fred Cahir tells the story about the magnitude of Aboriginal involvement on the Victorian goldfields in the middle of the nineteenth century. The first history of Aboriginal–white interaction on the Victorian goldfields, Black Gold offers new insights on one of the great epochs in Australian and world history—the gold story. In vivid detail it describes how Aboriginal people often figured significantly in the search for gold and documents the devastating social impact of gold mining on Victorian Aboriginal communities. It reveals the complexity of their involvement from passive presence, to active discovery, to shunning the goldfields. This detailed examination of Aboriginal people on the goldfields of Victoria provides striking evidence which demonstrates that Aboriginal people participated in gold mining and interacted with non-Aboriginal people in a range of hitherto neglected ways. Running through this book are themes of Aboriginal empowerment, identity, integration, resistance, social disruption and communication.
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Macassan History and Heritage : Journeys, Encounters and Influences
This book presents inter-disciplinary perspectives on the maritime journeys of the Macassan trepangers who sailed in fleets of wooden sailing vessels known as praus from the port city of Makassar in southern Sulawesi to the northern Australian coastline. These voyages date back to at least the 1700s and there is new evidence to suggest that the Macassan praus were visiting northern Australia even earlier. This book examines the Macassan journeys to and from Australia, their encounters with Indigenous communities in the north, as well as the ongoing social and cultural impact of these connections, both in Indonesia and Australia.
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Double Desire
Double Desire challenges the tendency by critics to perpetuate an aesthetic apartheid between Indigenous and Western art. The double desire explored in this book is that of the divided but also amplified attractions that occur between cultural traditions in places where both indigenous and colonial legacies are strong. The result, it is argued, produces imaginative transcultural practices that resist the assimilation or acculturation of Indigenous perspectives into the dominant Western mode and open contemporary art beyond its conventional limited Western trajectory. The essays, by fourteen experts in the field, discuss Indigenous contemporary art practices and their artworld reception in different locales in Australia, America and Africa, from metropolitan centres to regional and remote communities. The main frames of this discussion are postcolonial theories of transculturation, globalism and relational art practices that galvanize current theories of contemporary art. Ian McLean introduces key terms and tropes in the histories of Indigenous contemporary art. He also contributes two essays that examine indigenousness as a key concept in Western art, and the challenges facing Indigenous contemporary art in mainstream artworld discourses of postcolonialism, globalism and diaspora. Double Desire's remaining thirteen essays are case studies that explore specific examples of transculturation in Indigenous contemporary art in three different areas. \"Relational Agencies\" scrutinizes four different types of exchanges between Indigenous and Western ways of thinking in collaborations between Indigenous artists and non-Indigenous artists, art managers and anthropologists. \"Postcolonial Histories\" examines individual Indigenous artists who have directly engaged with Western art traditions and colonial histories in transcultural ways that develop an
Indigenous contemporaneity, either from within the institutions of the Western artworld or on its margins. \"Artworlds\" investigates the recent artworld reception of Indigenous contemporary art across three continents by both Indigenous and non-Indigenous critics and curators.
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